Gina
DeMott Capwell's
hotel room |
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In 1986, having been thrown out of the Capwell mansion without even a single garment, Gina DeMott Capwell settles down in a first dark and pitiful hotel room in which she stays only a few weeks. It is there that she reunites with Hayley Benson, her niece, or that she begins her business with dealer Angel Ramirez. After having played the dead woman, Gina reappears and settles down this time in another hotel, more clear and welcoming... even if her bedroom is far from equalling those of the Capwell Hotel !
From the entrance, a door gives access to the bathroom to the left by entering. Then, we arrive at the bed.
The modest size of the room does not prevent Gina from living there as if she was in an apartment : furniture and accessories (mirror, closet, television and video recorder) make the place livable for a unique person at least until Lily "Light" Blake, Gina's daughter, comes to move there with her mother at the end of 1986. Gina welcomes also often district attorney Keith Timmons, with whom she shares there moments of intimacy. A window situated at the head of the bed allows to escape (or to enter) discreetly from the room in case of presence in front of the door (Gina, Lily and Keith will have experienced it).
The highlight of the decoration remains the painting which Gina made painted for Sophia Armonti and C.C. Capwell's wedding, on which she replaced Sophia's face... by hers !
Gina will leave this hotel room as from her wedding with C.C. at the end of 1986, to make herself comfortable again within the luxurious Capwell mansion.