Gina
DeMott Capwell's
hotel room
Room
21, Santa Barbara
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In
1986, having been thrown out of the Capwell mansion without even a single
garment, Gina DeMott Capwell settles down in a first dark and pitiful hotel room
in which she stays only a few weeks. It is there that she reunites with Hayley
Benson, her niece, or that she begins her business with dealer Angel Ramirez.
After having played the dead woman, Gina reappears and settles down this time in
another hotel, more clear and welcoming... even if her bedroom is far from
equalling those of the Capwell Hotel !
From
the entrance, a door gives access to the bathroom to the left by entering. Then,
we arrive at the bed.
The
modest size of the room does not prevent Gina from living there as if she was in
an apartment : furniture and accessories (mirror, closet, television and video
recorder) make the place livable for a unique person at least until Lily
"Light" Blake, Gina's daughter, comes to move there with her mother
at the end of 1986. Gina welcomes also often district attorney Keith Timmons,
with whom she shares there moments of intimacy. A window situated at the head of
the bed allows to escape (or to enter) discreetly from the room in case of
presence in front of the door (Gina, Lily and Keith will have experienced it).
The
highlight of the decoration remains the painting which Gina made painted for
Sophia Armonti and C.C. Capwell's wedding, on which she replaced Sophia's face...
by hers !
Gina
will leave this hotel room as from her wedding with C.C. at the end of 1986, to
make herself comfortable again within the luxurious Capwell mansion.
